![]() Georges Braque, 1910, Violin and Candlestick, San Francisco Museum of Modern Artīraque's paintings of 1908–1912 reflected his new interest in geometry and simultaneous perspective. The 1907 Cézanne retrospective at the Salon d'Automne greatly affected the avant-garde artists of Paris, resulting in the advent of Cubism. The same year, Braque's style began a slow evolution as he became influenced by Paul Cézanne who had died in 1906 and whose works were exhibited in Paris for the first time in a large-scale, museum-like retrospective in September 1907. In May 1907, he successfully exhibited works of the Fauve style in the Salon des Indépendants. In 1906, Braque traveled with Friesz to L'Estaque, to Antwerp, and home to Le Havre to paint. Braque worked most closely with the artists Raoul Dufy and Othon Friesz, who shared Braque's hometown of Le Havre, to develop a somewhat more subdued Fauvist style. The Fauves, a group that included Henri Matisse and André Derain among others, used brilliant colors to represent emotional response. He joined them in Paris at the turn of the century, and after a year of military service, settled in Montmartre on 1902.Georges Braque, 1908, Baigneuse ( Le Grand Nu, Large Nude), oil on canvas, 140 × 100 cm, Musée National d'Art Moderne, Centre Pompidou, Parisīraque's earliest works were impressionistic, but after seeing the work exhibited by the artistic group known as the " Fauves" (Beasts) in 1905, he adopted a Fauvist style. In 1890, he moved with his family to Le Havre and began attending the municipal art school in 1897, where he acquainted himself with Othon Friesz and Raoul Dufy. Georges Braque was born on May 13th, 1882, in Argenteuil, Val-d'Oise, France and died on August 31st, 1963 in Paris, France. Cubism perfectly represented that characterization by being radically different and portraying things in an abstract manner. This era is characterized as a time of new perspective and generally a different way of seeing things. Artists saw that the western traditions in place had their run but were not fitted for the time anymore and that a new style needed to take its place. From just 1870-1910, the world saw more technological advancements than during the entirety of the renaissance era. This modern art movement was a response to the rapidly changing world. This put emphasis on differentiating paintings from reality, contrary to previous works, where art was made to look as real as possible. ![]() However, cubism examined the fourth dimension by making a fragmented image of a single object and piecing it together by making a collage of varying viewpoints, unlike how the human eye would see. All artwork from times before had created an image that portrayed a single three dimensional view of something, as the human eye would see. Cubism tried breaking the shackles of seeing things from one viewpoint. Cubism was the first type of abstract art, in that it dealt with making a sort of illusion by distorting perception and trying to present an image in an unrealistic way. This style of art was, however, just an idea and didn't become an art form until the early 20th century, in which it came to be known as Cubism. The idea of simultaneity, geometricity, and passage being integrated into art started just before the 20th century.
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